Daily Newsletter, June 13, 2024

On ‘Living Thing,’ Oregon’s Anna Tivel demonstrates her worthiness of high praise. Sometimes, as soon as a few first notes of an album’s opening track reach your ears you realize …

By Ljubinko Zivkovic, Rock At Night Amsterdam Review: Blair Gun – There Are No Rival Clones Here – Release date: June 7, 2024 The case with post-punk has always ran between the two terms involved [...]

Home » Blog » Hot Picks 12/6/24 – The Best New Releases Photo: TIDAL WATER *Read Disclosure Here Today we bring to you our hottest finds of the week. We have curated a list of the best releases from our musical travels this week and are putting them all in one place for your listing pleasure! […]

On 'Sink Or Swim', Fräulein present a perfected project full of shade, texture and one of the best rock vocals around at the moment.

An exploration of erotic and existential turmoil, five albums (across nine years) from Jon Langford, and two more from an East African supergroup. Plus: Afropop, amapiano, blues, Isbell, and Taylor.

Mid-1950s pop music was not well-known for delivering cohesive albums, but these nine classic albums from 1959 deserve your time.

Your latest electronic music roundup brings an eclectic list of top-shelf singles, albums and EPs, from innovative UK techno and eco-charged electronica to deep crate reissues, maximalist new age vibes, and club acrobatics from Miami

Let's look back at memories of the year of Gran Turismo, Bring It On, International Velvet and This Is My Truth Tell Me Yours....

The album Brian Wilson was working on was the yet-to-be-titled Pet Sounds, but it was taking longer than the record label wanted. Capitol Records demanded more Beach Boys product, but Wilson was still chasing sounds in the studio. They reached a compromise by recording The Beach Boys' Party. "Barbara Ann" reached No. 1 and bought Wilson more time to work on his masterpiece. Let's take a look at the story behind "Caroline, No" by The Beach Boys.

Paul McCartney and Wings' 'One Hand Clapping' album, reviewed by 'Rolling Stone.'

The bebop revolution shifted jazz from the sphere of popular music into the realm of the avant-garde.